This
year I made it to Glastonbury where I had a remarkably good and mud free
time. The music was mostly fabulous and
because my wife works in the music industry and has access to multiple
backstage areas the loos were OK too.
For those that have yet to make it to this monument to passion (Michael
Eavis’s), dedication (50,000 staff) and logistics (set in over 900 acres) let
me just say that the scale of the Glastonbury Festival is mind blowing. In essence a town the size of Watford
(200,000+) emerges in a valley, parties solidly for 4 days and then vanishes to
be replaced by cows. At its peak this
year more than 100,000 people gathered on the fields in front of the pyramid
stage to watch the Rolling Stones do their thang.
But
here’s the thing – despite Glastonbury and the myriad of other summer music
festivals - the music industry is in big financial trouble having been
completely reshaped by the advent of the new digital capabilities. Digital has fundamentally changed the way we
make, listen to and consume music. Now I am making the assumption that this is
not news to most of the people reading this blog and that going through the
whys and wherefores of the music industry’s demise is not going to be
necessary. What I would like to do
though is look at how the music industry has typically responded to the crisis
and look at what other industries can learn from that response – and I want to
do it by looking at the basic product – the artists and musicians.
Now
the music industry has always been somewhat temporal and ephemeral – actually revelling
in the concept of the “one hit wonder”, but, during the 60’s, 70’s and ‘80’s there
at least seemed to be a passion about the product that has somehow got lost
along the way. Don’t get me wrong,
there are still a number of very good artists and musicians out there writing,
making and playing great music (Mumford & Sons, Lianne le Havas, Kodaline
etc) but to my mind the progressive, world-bending heart and soul of the
industry seems to have gone. The rise
and fall of the great new bands or music genres seems to have been replaced by
a very commercial set of products that seem to be based around the selling of “nostalgia”
(Rolling Stones, ‘80s Reforms etc) or to be completely “disposable” (X-Factor,
The Voice, all dance music etc). The
prophetic words of the tremendous band, Half-man, Half-biscuit who wisely
proclaimed – “Pop will eat itself” seem to have really come to pass.
Now
before a riot breaks out and people start accusing me of a) being old, b) being
an ‘80s throwback or c) not being a big fan of the Rolling Stones – all of
which are true – what I’d like to state is that there is nothing wrong with a
bit of nostalgia and a bit of disposability.
However, if it’s all that’s left on the shelves then it’s a pretty poor
diet.
So, apologies
for introducing some management speak into the blog but if I may reference the
Boston Consulting Matrix* for a short while, I believe that what is driving
this state of affairs is really quite simple – the only way the “traditional” distressed
music industry has been able to conceive of making money this millennium has
been to either milk their “cash cows” or to create sneaky disposable “cash cow
mimics” (my term)– they look like cash cows but have not benefited from the
level of investment needed to turn them from genuine “question marks” to real “stars”. This leaves the product buying public with
little choice between the music of the nostalgia pedlars and the would-be one
hit wonder makers. Unsurprisingly
overall music sales and revenues continue to slide leaving the industry (not
music) in a weaker and weaker state.
So
what might other industries learn from this.
How should other industries respond when the new digital capabilities (mobile,
data, cloud, social) start to transform their worlds? What should they do when their cash flow is
squeezed and the urge to milk or mimic the cash cow is strong? Well, unsurprisingly I’m with Steve Jobs who
managed to galvanise apple to invest in Innovation through a downturn and reap
the rewards. Of course our hard pressed
industries should tighten their belts and reduce waste, but, please business leaders
do not fail to invest in new product innovation and development. Otherwise, the outcome for all of us is far
too predictable. Businesses will see the
slow demise of their revenues and profits and we as customers will be subjected
to a wearying array of nostalgic, repackaged products and an alternate set of
instantly forgettable products of dubious quality. Neither of these seems like a fabulous way to
rediscover the much needed and illusory economic growth.
Failing
to invest in product innovation and development is what the music industry has spectacularly
failed to do over the last 20 years and we are all the poorer for it. We mustn’t be afraid to invest in new trends,
innovation and products, it really doesn’t have to be expensive (remember punk)
just fresh and inspirational with a desire to change the world. Now that would be rock’n’roll baby.
Rick - great post, that struck a chord! I love my music and yes it is frustrating that despite all the wonderful opportunity that digital brings to the industry that it is actually devolving more than evolving. The trouble is a lack of risk taking, driven by a digital media machine that determines what's hot now (maybe not tomorrow) and backs the formulaic. As you say a lesson for industry investment in general. I would say as consumers we need to be a lot more discerning and - in analogy with the old days of sifting and listening to the vinyl at our favourite record shop - make the effort (to use the digital wonders) to search out the talent. We've got lazy. And in a similar way, the artists still need to work their craft, no short cuts to real success, but a big need to innovate to attract and nurture their followers. In the raw, digital is shallow and transient. With more thought and effort and some risk taking it can be richly intimate and involving. I am off to WOMAD in search...
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